Events' Realm

It is not just a SHOW, it is an EXPERIENCE!


For almost a decade, we have been the #1 show for brunch in Texas (some say the U.S except the Miami show is crazier). Loud, proud, sometime lewd, but always over the top fun. For those who need a small break from their spouse, boyfriend, girlfriend, children, boss, or the every day monotony of life, there is no other place. Each show is different. So as we say here in Texas, "LIVE LIFE LIKE SOMEBODY LEFT THE GATE OPEN!"


Expertise in bachelorette parties, divorce celebrations, just turned 50, and girls just want to have fun parties or anything else that requires no picture taking.


Seating starts at 10:00 am. Seating is first-come first-serve. We do not sit incomplete parties. Seating is determined by party size and tables available when your party arrives.


No outside food, drink or cakes are allowed in the establishment.


Guest must present a physical form of ID, drivers license, or passport (All guest must be 21+) and valid mobile ticket before entrance is permitted.


Paramour is a non-cash establishment.


Show is for a mature audience.

San Antonio

United States

Texas

Paramour Bar & Colette at the Phipps

The Show at Paramour

Ruby City proudly presents Synthesis & Subversion Redux [https://rubycity.org/exhibitions/synthesis-subversion-redux/], an exhibition celebrating the legacy of Frances Jean Colpitt and the evolving conversation around Latinx art. This new exhibition revisits Colpitt’s groundbreaking 1996 show, Synthesis and Subversion: A Latino Direction in San Antonio Art, and its influence on contemporary art practices today.


n her original exhibition, Colpitt explored how Latinx artists could synthesize personal and cultural experiences with conceptual art practices. The artists featured in Redux honor this foundation while addressing contemporary issues like gender, migration, and bicultural identity. Their works embody hybridity and intersectionality, using materials such as textiles and clothing to weave together stories of resilience, family, and heritage. 


This new iteration also reflects a significant societal shift. In the 1990s, the art world often overlooked artists working outside mainstream contemporary discourse. Today, these historically marginalized practices are embraced as central to the broader narrative of contemporary art, celebrated for their ability to challenge conventions, elevate diverse voices, and offer fresh perspectives on identity and cultural heritage. 


Featured Artists include: Juan Carlos Escobedo, Jenelle Esparza, Bárbara Miñarro, Angeles Salinas, and José Villalobos 


The opening reception [https://rubycity.org/events/], which will feature an exhibition walkthrough with both Gonzalez and co-curator, Lopez, will take place on Saturday, February 14 from 2-3PM with a reception following from 3-5PM. The event is free and open to the public.


The exhibition will be on view from February 15, 2024 through September 28, 2025 at Studio, located inside Chris Park. Studio is open Thursday - Sunday from 10am - 6pm. It is closed Monday -Wednesday. 

Ruby City

Synthesis & Subversion Redux

Bangor

Maine

Cross Insurance Center

Brick Fest Live | Bangor, ME 2025

Nashville

Tennessee

Ryman Auditorium

Ryman VIP Tour

Branson

Missouri

The Light House Gallery

Branson - Immersive Disney Animation

Montréal

Canada

Québec

Bell Centre

Visites Guidées Centre Bell - Bell Centre

Stubhub

Verde Canyon Railroad is proud to be a sponsor of the Phoenix-based wildlife rescue, Liberty Wildlife. All are welcome to visit Verde Canyon Railroad depot for Raptors at the Rails, an educational presentation on the patio on select dates 11:00am-12:45pm. This free event prior to the train’s 1:00 pm departure features close-up glimpses of Arizona raptors such as eagles, hawks, owls, vultures, falcons and kestrels, amazing residents of Liberty Wildlife’s educational program. During the summer months, Liberty shares cold-blooded creatures such as tortoises, lizards and snakes during "Reptiles at the Rails".

Phoenix

Arizona

300 N. Broadway

Verde Canyon Railroad

Raptors (or Reptiles) at the Rails

August is in the books and we thank you all for a great turn out! Let's do it again in September and this time we will be cutting the ribbon and having a proper grand opening of our new building The Archwood at Eastlake. Don't miss out!

The Archwood at Eastlake

The Buy Black Marketplace by Archwood Exchange

Throughout his dynamic and multidisciplinary practice, José Villalobos (b.1988, El Paso, Texas) interrogates and deconstructs aspects of gender and masculinity found within the U.S. / Mexico borderlands. His practice underscores the rigid and conservative patriarchal roots of his Evangelical Mexican upbringing merged with the cultural mores of West Texas, bringing to bear how these are often at odds with his own identity as a queer, Brown man. How do you see masculinity represented in your culture?


“Rough Rider” marks the first U.S. solo museum presentation for the artist. It presents a diverse collection of newly created works from the artist’s residency with CALA Alliance in the Fall of 2024. The exhibition focuses on the spectacle of rodeo culture, addressing themes related to machismo, protection and gender. Practice barrels, ropes and flanks, all of which exude preconceived ideas of masculinity, are reinterpreted with a distinct flashiness to assert a tension between what it means to be masculine. Taken as a whole, “Rough Rider” asks us to consider how we exist within the parameters of socially constructed norms and those that endure outside of them.


“José Villalobos: Rough Rider” is organized by ASU Art Museum Senior Curator Alana Hernandez, with ASU Art Museum Windgate Curatorial Fellow Sade Moore and is made possible with generous funding from the Terra Foundation for American Art. Additional funding is provided by The Andy Warhol Foundation for the Visual Arts.

51 E. 10th St.

ASU Art Museum

José Villalobos: Rough Rider

The shapes of feathers, wings, flowers and leaves combine in a constellation of ceramic and bronze to comprise Forever (Bird-Botanicals), a site-specific installation by Ecuadorian-Canadian sculptor David Constantino Salazar. The work combines recognizable bird anatomy with plant forms to probe the theme of transformation in contemporary culture.

Often representative of freedom, love, peace, and divinity, the symbol of the bird is ripe with meaning. In South American folklore, for example, birds and other animals are evocative of transformation, often shapeshifting between forms in fables. In Museum London’s Atrium, Salazar’s birds are in a state of transition, too, as if between life and death. Here, botanicals grow around misshapen appendages.

To create each element of the work, the artist meticulously hand crafts birds out of clay and throws them against his studio wall. Radically altering their appearance, this act transforms each sculpture into something new entirely. Each component evokes the natural evolution of all living things, as we journey between one state of being to another.

London

Ontario

421 Ridout Street North

Museum London - Atrium

David Constantino Salazar: Forever (Bird-Botanicals)

Supersampler is an exhibition featuring a decade’s worth of work by London-based painter, Mark Stebbins. Inspired by the history of image making, digital media and textiles, Stebbins’ paintings explore the potential of the grid form through realism and abstraction alike.

Often containing thousands of tiny squares hand-painted with hundreds of different tones and hues, Stebbins’ paintings translate source imagery to pose what he calls “visual questions.” By building up and breaking down these images, the artist plays with colour, detail, texture, and contrast to impact what the viewer sees. Here, paint strokes act as stitches and pixels, often distorted.

 A new series employs symbols from historic embroideries found in Museum London’s artifact collection, while other pieces feature vibrant, kaleidoscopic effects that nod to key moments in art history—like 19th-century pointillism and the hard-edge abstraction of the 1950s and 60s. Throughout these diverse influences, Stebbins’ work invites us to reflect on themes of originality, labour, and the evolving role of painting in our increasingly virtual world.

Museum London - Interior Gallery

Mark Stebbins: Supersampler

Join us for Market Days at the base of the Tower!

We will be featuring over 40 local vendors from across San Antonio. Come browse, shop, and enjoy as you discover and support local businesses.

This is a FREE family-friendly event, happening throughout the year, with food and live music!

Tower of the Americas

Market Days