Events' Realm

Dallas

United States

Texas

Bruton Theatre

Festival of Black Dance Rhytm and Soul of A People - Student Morning

Stubhub

Montréal

Canada

Québec

Bell Centre

Visites Guidées Centre Bell - Bell Centre

“Chicano/a/x Prints and Graphics: Selections from the Hispanic Research Center’s Collection, 1980–2010” showcases a partnership between ASU’s Hispanic Research Center (HRC) and ASU Art Museum and brings together works from the 1980s into the 2010s drawn from the HRC’s dynamic collection. Featuring over 30 artists who each offer a kaleidoscope of perspectives on the Mexican American experience, this year-long exhibition pays homage to the ideals of the Chicano Movement of the 1960s and 70s and expands upon them through the widely disseminated medium of prints. Presented in two parts, this unique exhibition underscores how Chicano/a/x artists have employed prints and graphics to build community, engage with social concerns, and interrogate shifting notions of political and cultural identity over time.


Artists in the first rotation include: Celia Alvarez Muñoz (United States, b. 1937), Alfredo Arreguín (United States, 1935–2023), Samuel Baray (United States, b. 1938), Candace Briceño (United States, b. 1971), Rolando Briseño (United States, b.1952), Vibiana Chamberlin (United States, b. 1942), Sam Coronado (United States, 1946–2013), Margarita “Mita” Cuarón (United States, b. 1952), Gaspar Enriquez (United States, b. 1942), Dolores Guerrero-Cruz (United States, b. 1948), Ester Hernández (United States, b. 1944), Yolanda Lopez (United States, 1942–2021), César Martinez (United States, b. 1944), Salvador Roberto Torres (United States, b. 1936), D. Rose, Annette Maria Sexton-Ruiz (United States, b. 1958), Patssi Valdez (United States, b. 1951) and Larry Yáñez (United States, b. 1949).


“Chicano/a/x Prints and Graphics: Selections from the Hispanic Research Center’s Collection, 1980–2010” is organized by ASUAM Senior Curator Alana Hernandez and ASUAM Curator Brittany Corrales and is made possible by funding provided by the Evelyn Smith Exhibition Fund. Additional funding is provided by ASU’s Hispanic Research Center and The Andy Warhol Foundation for the Visual Arts. The exhibition is presented in collaboration with a Community of Practice composed of Carla Chavarria, Community Building Director, Iconico, and Carla León Celaya, PhD candidate in the Spanish Department at the School of International Letters and Cultures, ASU.

Phoenix

Arizona

51 E. 10th St.

ASU Art Museum

Chicano/a/x Prints and Graphics: Selections from the Hispanic Research Center’s Collection

Verde Canyon Railroad is proud to be a sponsor of the Phoenix-based wildlife rescue, Liberty Wildlife. All are welcome to visit Verde Canyon Railroad depot for Raptors at the Rails, an educational presentation on the patio on select dates 11:00am-12:45pm. This free event prior to the train’s 1:00 pm departure features close-up glimpses of Arizona raptors such as eagles, hawks, owls, vultures, falcons and kestrels, amazing residents of Liberty Wildlife’s educational program. During the summer months, Liberty shares cold-blooded creatures such as tortoises, lizards and snakes during "Reptiles at the Rails".

300 N. Broadway

Verde Canyon Railroad

Raptors (or Reptiles) at the Rails

August is in the books and we thank you all for a great turn out! Let's do it again in September and this time we will be cutting the ribbon and having a proper grand opening of our new building The Archwood at Eastlake. Don't miss out!

The Archwood at Eastlake

The Buy Black Marketplace by Archwood Exchange

Ukutula: Our Timeless Journeys centres on a display of sixteen extraordinarily diverse traditional West African masks. These masks, part of the Agnes’ Justin and Elisabeth Lang Collection, appear in chorus with the contemporary work of five Canadian artists from the African and Asian diasporas: Anthony Gebrehiwot, Jill Glatt, Jessica Karuhanga, Camille Turner, and Winsom Winsom.

Employing photography, new media and video, textile installation and more, the artists of Ukutula: Our Timeless Journeys reflect on diasporic roots by exploring themes of identity, transformation, the body, belonging, place and regional histories. The exhibition collectively invites us to explore the relationship between the past and present, and how our physical and spiritual journeys shape who we are.

London

Ontario

421 Ridout Street North

Museum London - Ivey Galleries

Ukutula: Our Timeless Journeys

As we move around London, signs are all around us, announcing the names of businesses and alerting us to services offered and goods available. In our everyday lives, signs can become part of the landscape, standing out when needed and fading into the background when not. 

As museum objects, however, signs are the physical traces of a past London that only some may remember well. Many recall with affection, for example, Johnny and Dorothy Downs’ banquet facility, the Latin Quarter Place. As we move further into the past, though, London becomes an unfamiliar place. Where was Balkwill’s Hotel, for instance, and who ran it? This exhibition featuring signs from Museum London’s extensive artifact collection recalls and revives this fascinating forest city of yesteryear. It will also introduce some equally compelling Londoners. The signs in _London Recalling_ are mounted high on one of Museum London’s barrel vault walls.  This not only makes the most of the Museum’s architecture but also displays the signs as they would have been seen when first used.

\-Tuesday to Sunday: 11 AM to 5 PM  
\-Thursdays until 8 PM

421 Ridout St. N.

Museum London - Community Gallery, second level

London Recalling: Traces of Places from the City's Past

Free snowshoeing in the Westminster Ponds, weather permitting, every Saturday (11 AM -1 PM) and Sunday (1 PM - 3 PM). Snowshoes provided and self-guided trails. Please check their [social media](https://www.instagram.com/westminsterldn/) for more updates.

944 Western Counties Rd

Westminster Ponds

Snowshoeing in the Westminster Ponds

The shapes of feathers, wings, flowers and leaves combine in a constellation of ceramic and bronze to comprise Forever (Bird-Botanicals), a site-specific installation by Ecuadorian-Canadian sculptor David Constantino Salazar. The work combines recognizable bird anatomy with plant forms to probe the theme of transformation in contemporary culture.

Often representative of freedom, love, peace, and divinity, the symbol of the bird is ripe with meaning. In South American folklore, for example, birds and other animals are evocative of transformation, often shapeshifting between forms in fables. In Museum London’s Atrium, Salazar’s birds are in a state of transition, too, as if between life and death. Here, botanicals grow around misshapen appendages.

To create each element of the work, the artist meticulously hand crafts birds out of clay and throws them against his studio wall. Radically altering their appearance, this act transforms each sculpture into something new entirely. Each component evokes the natural evolution of all living things, as we journey between one state of being to another.

Museum London - Atrium

David Constantino Salazar: Forever (Bird-Botanicals)

Supersampler is an exhibition featuring a decade’s worth of work by London-based painter, Mark Stebbins. Inspired by the history of image making, digital media and textiles, Stebbins’ paintings explore the potential of the grid form through realism and abstraction alike.

Often containing thousands of tiny squares hand-painted with hundreds of different tones and hues, Stebbins’ paintings translate source imagery to pose what he calls “visual questions.” By building up and breaking down these images, the artist plays with colour, detail, texture, and contrast to impact what the viewer sees. Here, paint strokes act as stitches and pixels, often distorted.

 A new series employs symbols from historic embroideries found in Museum London’s artifact collection, while other pieces feature vibrant, kaleidoscopic effects that nod to key moments in art history—like 19th-century pointillism and the hard-edge abstraction of the 1950s and 60s. Throughout these diverse influences, Stebbins’ work invites us to reflect on themes of originality, labour, and the evolving role of painting in our increasingly virtual world.

Museum London - Interior Gallery

Mark Stebbins: Supersampler